Education:
Ph.D., University of Alberta, 2003
M.A., University of Western Ontario, 1996
B.A. Honors, University of Western Ontario, 1995
Current Research:
Carolyn Guertin sees her scholarship, like her globally-networked field of digital media, as being international in nature and sees teaching as the vehicle to further that work. She serves on graduate faculties in Canada and Austria and will be a visiting professor at Universidad IberoAmericana in Mexico City in the summer of 2008. She is curator of the celebrated collection Assemblage: The Online Women's New Media Gallery out of the U.K., and is Senior McLuhan Fellow at the McLuhan Program in Culture and Technology at the University of Toronto—where she was SSHRC Postdoctoral Fellow from 2004-06. She earned her PhD with a study of cyberfeminist digital narrative and the technologies of memory in the Department of English at the University of Alberta, Canada. She also serves as a literary adviser to the Electronic Literature Organization. She has exhibited and published internationally, and does theoretical work in: cyberfeminism, hacktivism, born-digital arts and literatures, information aesthetics, cultural studies, postliteracy and the social practices surrounding technology (especially social networking and participatory culture). She is working on a new book called Connective Tissue: Queer Bodies, Postdramatic Performance and New Media Aesthetics.
UTA Courses:
2008
English 3374: Writing, Rhetoric, & Multimedia Authoring I
English 4377: Freeze-Frame: Technology, Narrative & Time
Workshop: Digital Research Methods
2007
English 3372: Computers & Fiction Writing
English 3374: Writing, Rhetoric, & Multimedia Authoring I
English 5330: Convergence Culture
English 5380: Information Aesthetics
Recent Publications:
[forthcoming] “Media Literacy.” Encyclopedia of Media and Communications. Ed. Marcel Danesi. M.E. Sharpe Publisher, New York. 2008.
“Fleshworks and the Art of Torture: The Body As a Medium.” MediaTropes. (2007): 1-20.
“Handholding, Remixing, and the Instant Replay: New Narratives in a Postnarrative
World.” A Companion to Digital Literary Studies. Eds. Ray Siemens and Susan
Schriebman. New York and London: Basil Blackwell, 2007. 233-249.
“All The Rage: The Digital Body and Deadly Play in the Age of the Suicide Bomber.” Fast Capitalism 3.1(Summer 2007).
“Wanderlust:
The Kinesthetic Browser in Cyberfeminist Space.” Extensions Journal.(Jan 2007).
“Narrative Architectures After the Book: New Containers and Standards for Stories in Digital Culture.” International Journal of the Book. Vol 2.Beijing, Melbourne, and New York: Common Group, 2006. Print and CD-ROM. pp. 1-13.
“Queer Hybrids: Cosmopolitanism and Embodied Arts.” Hybrid: Living in Paradox. Ars
Electronica 2005. Eds. G. Stocker & C. Schöpf.Osterfildern-Ruit. Germany: Hatje Cantz, 2005. 166-169.
“From Cyborgs to Hacktivists: Postfeminist Disobedience and Virtual Communities.” Electronic Book Review. (Jan 2005).
Department/University Committees:
Chair, Media and Technology Committee
Travel Committee
Alumni Committee
Humanities Center Committee
Graduate Program Affiliations:
Faculty, Summer MFA Program
Transart Institute, Danube
University Krems, Austria
Program Associate, Athabasca University, Canada
Editorial Boards:
Convergence, UK
MediaTropes, Canada
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