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Dickinson Criticism 1930-1934
- Blunden, Edmund. "An Unguessed Poetry." Nation and Atheneum 46 (22 March 1930): 134-137. Repr. Blake & Wells. Stresses ED's kinship with Emerson; speaks of a nameless unguessed something behind her work.
- Hicks, Granville. "Emily Dickinson and the Gilded Age." In The Great Tradition (NY: The Dial Press, 1933). Repr. Blake & Wells. Argues that ED could never have assumed the "genteel" role demanded of public poets 1850-1880; her private career fitted her independent qualities well. Excellent essay on literary conventionality.
- Lowell, Amy. "Emily Dickinson." In Poetry and Poets: Essays. Boston: Houghton Mifflin, 1930: 88-108. Lowell sees ED as a startled, terrified non-conformist who "reveled in her own imagination." Treats ED as a proto-Imagist.
- Moore, Marianne. "Emily Dickinson." Poetry 41 (1933): 219-226. Repr. The Complete Prose of Marianne Moore (NY: Viking, 1986). "One resents the cavil that makes idiosyncrasy out of individuality," says Moore in this deeply individual reading of the 1931 edition of Dickinson's letters.
- Read, Herbert. "The Range of Emily Dickinson." Spectator 151 (29 December 1933): 971. Repr. Blake & Wells. Finds ED monotonous, complaining of her "incapacity, insensitiveness, incredible naïvety"; but has praise for a "cryptic economy" in her work that recalls Emily Brontë.
- Tate, Allen. "Emily Dickinson." In Collected Essays, 1932. Repr. Blake & Wells; Sewall. Argues for a unified, visual sensibility in ED's work. Traces her poetic inspiration to a decision to master the world by rejecting it. An essay very much in the critical tradition of T.S. Eliot.
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