The 3rd Annual
Arlington Humanities
Colloquium
[BACK to AHC]
Schedule of Events:
8:00- 8:30 Registration, Preston Hall- second floor: Breakfast- Rm
200 PH
8:30- 8:50 Introduction- Dr. Susan Hekman Rm 210 PH
9:00- 10:15 Session A
A1: Contact Zones and Domination - Rm 302 PH
Melinda Zepeda (Our Lady of the Lake University)
Chicano Lessons: The Clash of Culture's Ethos and Its Influence in Works
by Sandra Cisneros and Lorna Dee Cervantes
Anita Moreno (Our Lady of
the Lake University)
Viramontes' The Moths: Establishing a Voice
Robin Robinson (UTA)
Accommodation to Domination: Demise of the Tejano Elite in the Lower Rio
Grande
A2: Linguistic Realities: The Ambiguity of Faulkner's Literary
Voice - Rm 202 PH
Billie Hara (Southern
Methodist University)
Could It Be Madness This Voice? or, Perhaps Faulkner's South--
Schizophrenia in As I Lay Dying
Andrea Rohlfs Wright
(Texas Christian University)
"Protection" of Gender Roles Through Language in Faulkner's The Sound
and the Fury
Susan Webb Layne (Texas Christian University)
In Search of William Faulkner: Constructing the Author of The Sound
and the Fury
A3: Metamorphoses of Text and Self - Rm 207 PH
Collin Gifford Brooke
(UTA)
After the Cyborg(y): Hypertextual Bodies and the Rhetoric of
Technology
Sherrin Roberts (UTA)
The Electronic Labyrinth of Borges: Considerations in Moving Literature
to Hyperspace
Michelle Vardeman (Southern Methodist University)
The Emergence of Self in Jane Campion's The Piano
A4: Ca(u)se Studies: The Present State of Invention - Rm 210 PH
John Gooch (Texas Tech University)
Peter Ramus' Influence on Pedagogical Philosophy in Composition
Classrooms
Byron Hawk (UTA)
A Ca(u)se for Invention: Bitzer's "Rhetorical Situation" as/and
Classical Topoi
Charles Heinemann (UTA)
Plagarism (Fear of the Collaborative Act)
A5: Underwriting Patriarchy - Rm 307 PH
Elizabeth Currey (UTA)
Gender Issues in the Persecution of Witches
Susan Ramskill (UTA)
Into the Words: Misogynist Allegory and Subtext in Steven Sondheim-James
Lapine's Into the Woods
Dyane Fowler (UTA)
Dishwater Images in Toni Morrison's The Bluest Eye
10:30- 11:30 KEYNOTE ADDRESS College Hall
Timothy Luke
Museum Pieces: The Politics of Aesthetics and Knowledge at the
Museum
11:30- 12:45 LUNCH Rm- 300 PH
12:45- 2:00 Session B
B1: Representing Space/Bodies - Rm 307 PH
Kathleen Lipovski
(Indiana University)
Cross-Dressing the Biography: Clothing Lives in Virginia
Wolf's Orlando
Bobby Miller (UTA)
Dennett's Deconstruction of the Humanities: Can There Be a Pattern Without a Pattern-Maker?
Thomas Mical (Georgia Institute
of Technology)
The Eternal Recurrence of Architectural Memory
B2: Fear, Guilt, Anxiety - Rm 302
Irene Stratakis
(University of South Florida)
Surrealist Invention in the Case of Joseph K.
Stacy Fussell (UTA)
Rhetorical Topoi and the Fear of Two Revolutionary Ideas, Dr. Jekyll's and Sigmund Freud's
Trudi Muro (UTA)
"Come into My Parlor," said Renfield to the Fly
B3: "The Human Barnyard": MOOs, Hicks, and Discourse of Politics -
Rm 202
David Rieder (UTA)
Problematizing Solutions Subsequent to A Rape in Cyberspace
Dani Day (UTA)
Hickonics and the Scientific Method
Catherine Simpson
(University of Texas at Dallas)
"One Easy Prohibition": Milton, Feminist Criticism, and the Lost Paradise
B4: Strategizing Stories - Rm 207 PH
Beth Brunk (UTA)
The Conversion Narrative as Social Criticism: Victorian Novels Hard Times and The Water
Babies
Linda Jackson (UTA)
Vizenor's Bearheart: Resisting Masks of Otherness
Susan Hoffman
Bellowing for the Compson's: Benjy as the Personified Unconscious in The Sound and The Fury
B5: Explicating Rhetorics of Production and Knowledge - Rm 210 PH
Kia Richmond
(Texas A&M University - Commerce)
Expressing the Need to be a Humanist
Carla Kittinger and Stacia Dunn Neely (Texas Christian University)
Isocratean Rhetoric and the Paideia of Education: Validating the
Need for Praxis Through an Analysis of What is Appropriate
John Krajicek (Texas A&M
University)
Making the World of the Maker: the Rhetoric of Aristotle's
Poetics
2:15-3:30 Session C
C1: Signifying the Masses - Rm 202 PH
Jane Dare (UTA)
Blue Jeans as a Semiotic Sign
Thaddeus Meyer (University of North Texas)
Analytic Signs and Cultural Index in the Age of Mass Culture
Thomas Rickert (UTA)
The New Science of Roland Barthes
C2: Inventing Identities - Rm 307 PH
Chris Murray (UTA)
Sapphos Womanly Rhetoric (Without Foucault)
Gavin Schultz (University of Houston - Clear Lake)
John Berryman's Sonnets: Redefining Identity to Fit Desire
John Price (University of Texas at Dallas)
An Approach to Literature Through Aesthetics: Revelations from the
Association of Mask to the Texts of Moliere, Yeats, Eliot, O'neil,
Chekov, and Pinter
C3: Methods of Understanding: Poetry and Narrative in the Classroom
- Rm 302 PH
Corri Wells (UTA)
Necessarily Narrative: The Impossibility of Merely Factual
Understanding
Mark Aune (Wayne State University)
"Weird. Very Different. Hard to Understand." The Effect of Poetry on
Undergraduate Students in the Classroom
C4: Order from Chaos - Rm 207 PH
Mac McGinty (University of Houston - Clear Lake)
Ain't Necessarily So: The Cooperative Principle, Defamiliarization, and
Choas Theory in the Usual Suspects by Bryan Singer
Margot Collins (University of North Texas)
The Necessity of Chaos in Emily Dickinson's I Heard a Fly Buzz--When
I Died--
Laura Smith (University of Oklahoma)
Order Within Disorder: The Duality of Entropy in Coming Through
Slaughter
C5: The Electric Word - Rm 210 PH
Stephen Kubick (UTA)
Striking Out: Hypertext, Agency, and Academic Empowerment
Mary Lynn Hyman (UTA)
Anonymity and the IRC
Lee Bradley and Tim Morris (UTA)
Relaying the Word
3:45- 5:00 Session D
D1: Film/Theory/Gender - Rm 202 PH
Robert Beuka (Louisiana State
University)
Rewriting the Rules of the Road: Thelma and Louise and the
Gendered Politics of Cinematic Representation
Amanda Robinson (UTA)
The Role of a Lifetime: Victorian Mothers in Contemporary American
Film
Todd Garrard (UTA)
Star Wars as Epic
D2: Authorship and Artistry in America - Rm 302 PH
Cedric May (UTA)
Race Theory and Representation in Faulkner's Novels
Mark Noe (UTA)
(Dis)Embodied Voices: The Text as Temporal Space
Robert Robertson (UTA)
Echoes: Hearing the African-American Oral Narrative in 20th Century
Black Literature
D3: Philosophy, Evil, and the 20th Century - Rm 307 PH
Joe Hinman (University of Texas at Dallas)
TBA
Roger Thompson (Texas
Christian University)
Emerson and Tillich: The Problem of Evil Confronted and Reconciled
Lori Bradley Shrock
(UTA)
Strange Bedfellows: The Similar Cultural Work of Religion and
Pornography in 20th Century America
D4: Mythos as Representation - Rm 210 PH
Margaret Dwyer (UTA)
The Syncretic Impulse: Louis Owens' Use of Blended Mythologies and
Autobiography in The Sharpest Sight
Rose Johnson (UTA)
Depoliticized Speech and Seamlessness in the Making of the Traviata
Myth
Alex Dubinski (Arlington)
Keats, Diderot, Fragonard, and the Esthetics of Sacrifice
D5: The Contemporary Classroom - Rm 207 PH
Sara Orr (UTA)
The Return of Orality
Alan Taylor (UTA)
The Rhetoric of Flight: a Deleuzo-Guattarian Analysis of Student
Attitudes in the Composition Classroom
Debi Reese (UTA)
Toward a Rhetoric of Androgynous Writing
7:30- 10:00 RECEPTION
Creative Writing Panels
A6: Images of Intimacy - Rm 204 PH (9:00- 10:15)
Tim Cloward (University of Texas at Dallas)
poetry: "The Windmills in West Texas" and "The Lantern"
Nia Kimbo
Kate Yarborough (University of Texas at Dallas)
short story: "The Catalyst"
B6: War Scenes: Let Sleeping Cats Lie? - Rm 204 PH (12:45- 2:00)
Tracy Miller (University of Texas at Dallas)
short story: "Machine-Gun Hands"
Virginia Howard (UTA)
poetry: "The Wall"
Helen King (UTA)
poetry: "The Space Between"
Umma Khan (UTA)
poetry: "Shadows Toss Across My Brow"
Trudi Muro (UTA)
poetry: "Ash Street"
Shawn Clements (UTA)
poetry: "Eggshell walls"
C6: Folk Songs and Fruit Salad - Rm 204 PH (2:15-3:30)
Virginia Howard (UTA)
poetry: "For Clara"
Umma Khan (UTA)
poetry: "A Friendship Moved"
Helen King (UTA)
poetry: "Offerings"
Julia Newman (UTA)
poetry: "Insomnia on the Sofa" and "Intolerance"
Elisha Faust (UTA)
poetry: "The bland neighbor" and "A Love Poem"
Rebekah Mercer (UTA)
short story: "Cantaloupe: Metaphor for a Marriage"