Associate Dean for Faculty and Student Affairs
Office: CAPPA 203, E-mail: firstname.lastname@example.org, Phone: 817.272.8532
B.A., Brown University
M.A., University of Virginia
Ph.D., Brown University
“Traveling via Rome through the Stereoscope: Reality, Memory and Virtual Travel,” Architectural Histories 13 June 2016, 4(1): 8, pp. 1–14.
“Nazi Stereoscopic Photobooks of Vienna and Prague: Geopolitical Propaganda Collides with a Distinctive Visual Medium.” In Paper Cities: Urban Portraits in Photographic Books, edited by Susana S. Martins and Anne Reverseau (Leuven: Leuven University Press, 2016), 171-190.
“The Stereoscopic Photo Album as Nazi Propaganda: Ephemerality of Image in Vienna, The Pearl of the Reich”, in VI congresso AISU InvisibleVisible. Percepirela città tra descrizioni e omission, edited by S Adorno, G. Cristina and A. Rotondo. (Catania: Scrimm Edizioni, 2014), 1903-1911.
“Stereoscopic Photography Encounters the Staircase: Traversing Thresholds, Borders and Passages,” Archimaera 5 “Grenzwertig” Issue (July 2013), 89-97.
“The Radically Subversive Narrative of Stereoscopic Photography,” Kunsttexte.de Bild/Wissen/Technik “Die Grenzen der Narration im Bild” Issue (April 2013).
“The Elusive Challenge of Photographing Urban Spaces: Nineteenth Century Berlin as Exemplar.” in Documenting History, Charting Progress, and Exploring the World: Architecture in Nineteenth Century Photographs, edited by Micheline Nilsen (London: Ashgate Press, 2013).
“Heroic Maneuvers in a Straitjacket,” Guest Editorial, E-Architect Newsletter 160, 26 June 2012.
“Vertigo as Subtext: Ambiguity, Vulnerability and Risk in a Home,” Guest Editorial, E-Architect Newsletter 151, 24 April 2012.
"Sustainability for Everyone: Trespassing Disciplinary Boundaries." in Teaching Sustainability/Teaching Sustainably, edited by Kirsten Bartels and Kelly Parker (Sterling, Virginia: Stylus Press, 2012), pp. 19-30. Opening chapter in a new textbook
"Symbioses between Caricature and Caption at the Outbreak of War: Representations of the Allegorical Figure Marianne in Kladderadatsch," Zeitschrift für Kunstgeschichte, Heft 4 (October 2011), 537-558.
"Luxury Apartments with a Tenement Heart: The Kurfürstendamm and the Berliner Zimmer," Journal of the Society of Architectural Historians 70, no. 3 (September 2011), 290-307.
"Munich as Kunststadt, 1900-1937: Art, Architecture and Civic Identity," Oxford Journal of Art 34, Issue 2 (June 2011), 179-201.
“It’s Still a Box in Search of a Crown,” Guest Editorial, E-Architect Newsletter 107, 31 May 2011.
“Becoming Builders again in an Age of Global Crisis," trans ETH Zurich 18 (March 2011): 78-85.
"Wilhelm II’s Weisser Saal and its Doppelthron," German History 27, no. 4 (October 2009): 490-513.
“Le développement des rues parisiennes pendant la monarchie de Juillet,” in Modernité avant Haussmann: Formes de l’espace urbain à Paris 1801-1853, edited by Karen Bowie. (Paris: Éditions Recherche, 2001), 217-230.
“Was ist, wozu dient ein Berliner Zimmer? Das störrische Beharren der Kurfürstendamm-Bewohner,” in Frankfurter Allgemeine Zeitung, 4 January 2001.
PRESENTATIONS & CONFERENCES
College Art Association 100th Annual Conference, Los Angeles, 2012: “Urban Space as a Visual-Haptic Experience: Stereoscopic Views of German Cities, 1880-1910”
Southeastern College Art Conference, Savannah, November 2011: “The Carnegie Library Phenomenon: Civic Spaces Produced by Corporate Patronage”
Association for Integrative Studies Annual Conference, San Diego, October 2010: “Sustainability for Everyone: Trespassing Disciplinary Boundaries”
Nineteenth Century Studies Association Annual Conference, Miami, April 2008: “Political Satire in the Cartoon and Caricatures of Kladderadatsch during Wartime”
Renaissance Society of America Annual Conference, Miami, March 2007: “Court Space, Common Space, and Schlosstopographie: The Creation of Unter den Linden” • Presentation of research about the origins and dynastic context of Berlin’s major boulevard.
Humboldt Universität, Berlin, July 2006: “Verstossen gegen Richtlinien der UNESCO in Bezug auf die Berliner Museumsinsel”
The Tate Modern, London, January 2005: “Heaven and Earth, King and Emperor: Dualities of Prussian-German Rulership in Visual Culture,” at Heaven and Earth, An Interdisciplinary Conference in Collaboration with the London Consortium and the Goethe-Institut London.
University of Glasgow, April 2004: “Munich as Second City: The Museum as a Prism of History,” at Second Cities: An Interdisciplinary Symposium.
Gesellschaft Historisches Berlin, June 2003: “Kaiserbauten in Berlin – Wilhelm II. baut in Mitte.” • Architectural, political and legal ramifications of a building project analyzed in dissertation.
European Association of Urban Historians Annual Conference, Berlin, August 2000: “Hotels as Determinants of Public Behavior in Wilhelmine Berlin,” at European Cities: Crossroads and Networks.
German Historical Institute Annual Conference, Washington, March 2000: “Hotels as Public Spaces in Berlin and Washington,” at Berlin-Washington, 1800-2000: Capital Cities, Cultural Representation, and National Identities.
École d’Architecture de Versailles, Paris, June 1999: “Social and Political Aspects of Street Development in Paris during the July Monarchy,” at Modernity before Haussmann: Forms of Urban Space in Paris 1801-1853.
European Association for Urban History, Lisbon, September 2014: “Nazi Stereoscopic Photo Books of Vienna and Prague: Geopolitical Propaganda collides with a Distinctive Visual Medium”.
Associazione Italiana di Storia Urbana Biannual Conference, Catania (Italy), September 2013: “The Stereoscopic Photo Album as Nazi Propaganda: Ephemerality of Image in Vienna, The Pearl of the Reich”.
German Studies Association Annual Conference, Milwaukee, October 2012: “The Raumbildalbum During the Third Reich: Stereoscopy and its Relation to Cinema as Propaganda”.