Band Audition Information

Spring 2027 Concert Band Auditions

Flute, Clarinet, Double Reed, Horns and Trumpet auditions will take place on November 30, 2026 in Fine Arts 237

Saxophone, Euphonium, Tuba and Trombone auditions will take place on December 1, 2026 in Fine Arts 237

Percussionists should reach out to Dr. Eldridge for percussion audition details (andrew.eldridge@uta.edu)

If you are not a music major, you may audition for placement in the Wind Symphony and Symphonic Winds or you may participate in the Symphonic Band without audition by registering for the class and completing this form: Non-Major Concert Band Interest Form

You do not have to major in music to play in band. Everyone who auditions is placed in a band, provided you have previous high school or college band experience.

You can book your audition here: https://outlook.office.com/book/UTABand@mavs.uta.edu/?ismsaljsauthenabled. If you cannot find an available time slot for your instrument, please contact Dr. Weller (hannah.weller@uta.edu). We will find a slot for you to audition.

Please read the following information carefully--

  • All scholarship recipients are required to audition for a concert band and enroll in the ensemble to which they are placed.
  • All music majors are required to audition for and enroll in a large ensemble every semester.
  • All students of all majors are welcome to audition. Anyone with previous band experience will be placed in an ensemble.
  • Students must be registered for their ensemble in order to participate.

All music majors must audition to play in a band.

You should keep the rehearsal times of all three bands open in your schedule until placements are made (see below). You may be required to adjust your class schedule in order to enroll in the ensemble in which you are placed.
  • Wind Symphony (MUSI 0102) meets Monday, Wednesday and Friday from 1pm - 2:50pm.
  • Symphonic Winds (MUSI 0103) meets Tuesday and Thursday from 12:30pm - 2:20pm.
  • Symphonic Band (MUSI 0130) meets Monday, Wednesday and Friday from 3pm - 3:50pm.

Learning to audition is an important part of the educational process for every music student. In order for you to maximize this opportunity, we expect you to prepare the audition material to the best of your ability. 

Audition Requirements

Prepared Selections

Audition Packet

Sight-Reading

Everyone will sight-read.

Scales for brass and woodwinds

Prepare any FOUR chromatically consecutive MAJOR scales. For example: “A—B-flat—B—C” or “E-flat—E—F—G-flat”

  • Woodwinds should play all scales the full range of their instrument. Woodwinds may also be asked to play a full-range chromatic scale.
  • Brass should play all scales in complete octaves (at least 2 octaves in most cases).

Music majors should play these scales from memory. Non-music majors may use a scale sheet.

Clarinets: You may audition on bass clarinet if this is your primary instrument.

Saxophones: Music majors are expected to audition on alto saxophone in most cases.

Instruments

UTA may be able provide instruments to students playing in band, depending on availability. There is a usage charge per semester. See Dr. Evans for more information.


Questions?

Dr. Hannah Weller, D.M.A, University of North Texas

Department of Music

Assistant Professor

Area: Director of Bands

Hannah Weller Headshot

Email: hannah.weller@uta.edu

Office: FA 237

Bio: Dr. Hannah Weller serves as the Director of Bands at the University of Texas at Arlington. She is the conductor of the UTA Wind Symphony and serves as the Area Coordinator for the Woodwind, Brass, and Percussion Studios. In addition to her work at UTA, Weller is active as a conducting workshop clinician and festival clinician, working with conductors and musicians of varying ages and experience levels. Weller is an alumna of the University of North Texas, where she earned her Doctor of Musical Arts in Wind Conducting (August 2026) and her Master of Music in Clarinet Performance (2024). Her dissertation project, Fundamental Creativity: A Guide for Teaching the Young Conductor, is comprised of a 16-week curriculum and etude workbook for teaching Fundamentals of Conducting at the collegiate level. Weller’s conducting teachers include Eugene Migliaro Corporon, Andrew Trachsel, Amy Woody, and Daniel Cook. She studied clarinet with Kimberly Cole Luevano. During her residency at UNT, Weller had the privilege of serving as a Wind Studies Teaching Fellow and performing in the North Texas Wind Symphony. She continues to perform professionally in the area as a freelance musician and member of the Lone Star Wind Orchestra. Previously, Weller served as the Assistant Director of Bands at East Texas A&M University in Commerce, Texas. There, she conducted the ETAMU Concert Band, taught undergraduate conducting classes and applied clarinet lessons, and served as the School of Music Scholarship and Audition Coordinator. Weller began her musical studies at Messiah University in Mechanicsburg, Pennsylvania, where she graduated Summa Cum Laude in May 2022 and earned her B.S. in Music Education with a K–12 teaching certificate. Weller lives in Arlington, Texas with her husband, Dr. Mike Korson. They enjoy travel, cooking, and life with their two pugs, Penny and Chewy.

Dr. Chris Evans, D.M.A. University of Oklahoma

Department of Music

Associate Professor of Instruction, Associate Director of Bands, Director of the Maverick Marching Band

Area: Winds and Percussion

Chris Evans Headshot

Email: christopher.evans@uta.edu

Office: FA 314

Bio: Dr. Chris Evans is the Associate Director of Bands and Director of the Maverick Marching Band at UTA. In addition to the marching band, Dr. Evans teaches the Symphonic Winds, Symphonic Band, Marching Band Techniques, and Instrumental Methods and Materials. Previously, Dr. Evans was the Associate Director of Bands at Flower Mound High School. While at Flower Mound, he primarily taught the Concert Band and the JV marching band while assisting with all other aspects of the program. Dr. Evans also served as Assistant Director of Bands at Juan Seguin High School and was a graduate assistant at the University of Oklahoma. While at OU he assisted with the concert ensembles, the Pride of Oklahoma marching band, and conducted the women’s basketball band for 2 years. Before graduate school, he taught middle school in Georgia for three years. Dr. Evans, a native of Birmingham, Alabama earned his Bachelors of Music Education from Auburn University. He earned his Master of Music and Doctor of Musical Arts degrees in Instrumental Conducting from the University of Oklahoma. His professional associations include the Texas Music Educators Association, Kappa Kappa Psi, Phi Mu Alpha Sinfonia (honorary), and Tau Beta Sigma (honorary).

Dr. Andrew Eldridge, D.M.A. Texas Christian University

Department of Music

Assistant Professor of Percussion

Area: Percussion

Andrew Eldridge

Email: andrew.eldridge@uta.edu

Phone #: 817-272-6114

Office: FA 224

Bio: Dr. Andrew Eldridge is Coordinator of Percussion/Assistant Professor of Percussion at the University of Texas at Arlington. Prior to UTA, Andrew taught percussion and music theory at Texas Christian University, taught percussion at Texas Wesleyan University, and spent six years as a full-time Assistant Band Director/Percussion Director at high schools in the Dallas/Fort Worth metroplex. Andrew’s musical interests lie at the intersection of percussion and electronics. His recent musical experiments combine live-looping acoustic percussion in Ableton Live controlled with midi controllers. Andrew also enjoys creating music with mobile music set-ups that are accessible to the general music lover. At UTA, Andrew was awarded an Outstanding Teaching Award for Tenure-Track Faculty by the UTA College of Liberal Arts in 2021 and nominated twice for the President’s Award for Excellence in Teaching. Under his direction, the UTA Percussion Ensemble was selected to present the New Literature Session at the 2017 Percussive Arts Society International Convention (PASIC). The ensemble also performed Showcase Concerts at the Texas Music Educators Association (TMEA) annual convention in 2017 and 2023. The UTA Percussion Ensemble actively commissions talented composers for the UTA Percussion Commissioning Series, presenting world premieres to music by Nathan Daughtrey, Francisco Perez, and Michael Varner. Andrew actively serves as President for the Percussive Arts Society (PAS) Texas Chapter and as Co-Chair for the Percussion Ensemble Committee for PAS. He served a three-year term on the Lone Star Wind Orchestra Board of Directors and has been performing with the group as a section percussionist since 2009. Andrew presented clinics for the Midwest Clinic, Texas Music Educators Association, and the National Conference on Percussion Pedagogy. Most recently, he was selected to present a clinic called “The Tech-Forward Student: Technology Integration for the Applied Percussion Studio” at the 2023 National Conference on Percussion Pedagogy. An avid performer of new music, Andrew has individually commissioned and given the world premieres of music written for percussion by Dan Welcher, Kyle Kindred, Dwayne Rice, Martin Blessinger, Ryan George, and David Maslanka. Andrew presented recitals and performances at the College Music Society (CMS) National Conference, CMS Great Lakes Regional Conference, National Association of College Wind and Percussion Instructors, and the National Conference on Percussion Pedagogy. Additionally, he has performed as a concerto soloist with the Lone Star Wind Orchestra, Lone Star Youth Winds, and the UTA Wind Symphony. Andrew holds a Doctor of Musical Arts degree in Percussion Performance from Texas Christian University, a Master of Music in Percussion Performance from the University of Illinois - Urbana-Champaign, and a Bachelor of Science in Music Education from Texas A&M University – Commerce. He proudly endorses Yamaha Percussion, Vic Firth Sticks and Mallets, Remo Drumheads, and Zildjian Cymbals.

How to Audition

  • Give yourself plenty of time to do everything (i.e. get up early, have a leisurely meal, arrive early)
  • Avoid over practicing, which may cause nerve problems and fatigue
  • Warm up well and practice audition material under tempo
  • At the site, warm up alone and don’t listen to other players
  • Play to your own standards; don’t try to guess how the committee would like something performed
  • Take some risks; communicate the music’s message
  • Maintain a positive appearance even if you do not think you played well
  • Evaluate the audition experience
  • Present a professional image (you get only one chance to make a first impression)
  • Take control of the situation (plan what you are going to play and do)
  • Dress for the occasion
  • Be on time and warmed up
  • Make sure your instrument and reeds are working properly
  • Leave your case outside the room
  • Have your instrument out and ready
  • Introduce yourself
  • Get the committee’s attention
  • Speak clearly
  • Look people in the eye
  • Know correct pronunciations of composers and compositions
  • Demonstrate your ability, facility and sensitivity
  • Communicate if you have a legitimate problem (long before the audition)
  • Do not wear shorts, jeans, hats, etc.
  • Do not make excuses or apologies (for anything)
  • Do not draw attention to problems (the committee may not notice)
  • I haven’t warmed up.
  • I haven’t had a chance to practice.
  • I didn’t know . . .
  • I just got this horn.
  • What should I play?
  • What would you like to hear?
  • I didn’t have my instrument/sticks/etc.
  • I didn’t bring any music.
  • Nobody told me . . .